Friday, 3 August 2012

The Amazing Spider-Man v1 541-560

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Marvel began The Amazing Spider-Man anew with vol. 2, #1 (Jan. 1999). Howard Mackie wrote the first 29 issues. The relaunch proved controversial with the Sandman being regressed to his criminal ways and the "death" of Mary Jane, which was ultimately reversed due to fan backlash. Other elements included the introduction of a new Spider-Woman (who was spun off into her own short-lived series) and references to John Byrne's controversial "Spider-Man: Chapter One", which launched at the same time as the reboot. Mackie's run ended with The Amazing Spider-Man Annual 2001, which saw the return of Mary Jane, who then left Parker upon reuniting with him.

With #30 (June 2001), J. Michael Straczynski took over as writer. While his arrival saw the title regain lost readers, Straczynski oversaw additional controversial[citation needed] storylines — most notably his lengthy "Spider-Totem" arc, which raised the issue of whether Spider-Man's powers were magic-based, rather than as the result of a radioactive spider's bite. Additionally, Straczynski resurrected the plot point of Aunt May discovering her nephew was Spider-Man, and returned Mary Jane, with the couple reuniting in The Amazing Spider-Man #50. Straczynski also gave Spider-Man a new profession, having Parker teach at his former high school.

Issue #30 began a dual numbering system, with the original series numbering (#471) returned and placed alongside the volume-two number on the cover. Other longtime, rebooted Marvel Comics titles, including Fantastic Four, likewise were given the dual numbering around this time. In October 2000, John Romita, Jr. succeeded John Byrne as artist. After vol. 2, #58 (Nov. 2003), the title reverted completely to its original numbering for #500 (Dec. 2003).[3] Mike Deodato, Jr. penciled the book from mid-2004 until 2006.

That year Peter Parker revealed his Spider-Man identity on live television in the company-crossover storyline "Civil War", in which the superhero community is split over whether to conform to the federal government's new Superhuman Registration Act. This knowledge was erased from the world with the event of the four-part, crossover story arc, "One More Day", written partially by J. Michael Straczynski and illustrated by Joe Quesada, running through The Amazing Spider-Man #544-545 (Nov.-Dec. 2007), Friendly Neighborhood Spider-Man #24 (Nov. 2007) and The Sensational Spider-Man #41 (Dec. 2007), the final issues of those two titles. Here, the demon Mephisto makes a Faustian bargain with Parker and Mary Jane, offering to save Parker's dying Aunt May if the couple will allow their marriage to have never existed, rewriting that portion of their pasts. This story arc marked the end of Straczynski's six-and-a-half years as writer (from 2001 to 2007) on the title after 75 issues (including issues of Friendly Neighborhood Spider-Man and The Sensational Spider-Man as part of crossovers).

Following this, Marvel made The Amazing Spider-Man the company's sole Spider-Man title, increasing its frequency of publication to three issues monthly, and inaugurating the series with a sequence of "back to basics" story arcs under the banner of "Brand New Day". Parker now exists in a changed world where he and Mary Jane had never married, and Parker has no memory of being married to her, with domino effect differences in their immediate world. The most notable of these revisions to Spider-Man continuity are the return of Harry Osborn, whose death in The Spectacular Spider-Man #200 (May 1993) is erased; and the reestablishment of Spider-Man's secret identity, with no one except Mary Jane able to recall that Parker is Spider-Man (although he soon reveals his secret identity to the New Avengers and the Fantastic Four). The alternating regular writers were initially Dan Slott, Bob Gale, Marc Guggenheim, Fred Van Lente, and Zeb Wells, joined by a rotation of artists that included Chris Bachalo, Phil Jimenez, Mike McKone, John Romita, Jr. and Marcos Martín. Joe Kelly, Mark Waid and Roger Stern later joined the writing team and Barry Kitson the artist roster.

With issue #648 (January 2011), the series became a twice-monthly title with Dan Slott as sole writer. Eight additional pages were added per issue. These were initially published under the banner of "Big Time". The most recent story heading is "Ends of the Earth", which runs through June 2012.



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