Friday, 3 August 2012
Old Master Q in Chinese 29 Volumes
Old Master Q (Chinese: 老夫子; pinyin: Lǎo Fū Zi) is a popular Chinese manhua created by Alfonso Wong. The cartoon first appeared in the newspapers and magazines in Hong Kong in 1962, and later serialized in 1964. The comic is still in publication today.
The series features the now well-known characters such as Old Master Q and Big Potato, as well as Mr Chin, Mr Chiu and Miss Chan, in many different hilarious situations. They are usually portrayed in a variety of social statuses, professions and time periods, ranging from beggars and office workers to actors and ancient warriors, allowing a wide variety of settings and ideas. More outlandish scenarios include close encounters with aliens, ghost sightings and the afterlife.
In the context of the strips, Old Master Q, Big Potato and Mr. Chin are close friends; Mr. Chiu often play an antagonistic role toward the trio; finally, Miss Chan is often portrayed as a love interest to Old Master Q. The comic is now copyrighted by WangZ Inc, a company established by Joseph Wong Chak (Alfonso Wong's eldest son) in Taipei, Taiwan.
Politics and Issues in Old Master Q
While Old Master Q comics primarily focuses on humor, it also reflects changing social trends, particularly from the 1960s to the 1980s. The comics would sometimes feature societal problems in urban life, such as poverty, petty thefts and secret societies. It also poked fun at fashion, contemporary art and rock music. The comic strips sometimes also bemoan the decline of ethical or moral values in modern day living. One can spot characters displaying acts of selfishness or misery, although the comics occasionally display good values like filial piety. The language barrier, mostly between the Chinese language and the English language, was not overlooked, either. This is seen in some comic strips showing difficulty in communication between old master Q and foreigners, especially Westerners.
In rare cases, Old Master Q comics would express serious views regarding major political changes taking place in Hong Kong during the 60's-80's. It had previously criticized overly Westernized Chinese, who were sometimes shown in the comic strips to slant more towards the interests of Westerners than local Chinese. The agreement to hand over power of Hong Kong to China, following the Sino-British Joint Declaration of 1984, also became a subject matter, as a few comic strips were published through the late 1980s and early 1990s expressing the characters' fears of handover, frequently represented in a numeral of the year it would take place: 1997. Some of these comic strips had even gone the distance to depict direct assault of what appeared to be a representation of the Chinese government and the Communist Party of China, which usually takes place near the end of the comic strip. However, the handover was later depicted in more a positive light in the years leading to the actual event, possibly representing a changing perspective from the author.
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