Showing posts with label Marvel Comics. Show all posts
Showing posts with label Marvel Comics. Show all posts

Thursday, 9 August 2012

James Bond Comics Series Complete

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James Bond, code name 007, is a fictional character created in 1953 by writer Ian Fleming, who featured him in twelve novels and two short story collections. There have been six other authors who wrote authorised Bond novels or novelizations after Fleming's death in 1964: Kingsley Amis, Christopher Wood, John Gardner, Raymond Benson, Sebastian Faulks and Jeffery Deaver. Additionally, Charlie Higson wrote a series on a young James Bond and Kate Westbrook wrote three novels based on the diaries of a recurring series character, Moneypenny.

The fictional British Secret Service agent has also been adapted for television, radio, comic strip and video game formats as well as being used in the longest running and the second-highest grossing film franchise to date, which started in 1962 with Dr. No, starring Sean Connery as Bond. As of 2012, there have been twenty two films in the Eon Productions series, with a twenty third, Skyfall, due for release on 26 October 2012. The film will star Daniel Craig in his third portrayal of Bond: he is the sixth actor to play Bond in the Eon series. There have also been two independent productions of Bond films, Casino Royale, a 1967 spoof, and Never Say Never Again, a 1984 remake of an earlier Eon produced film, Thunderball.

The films are renowned for a number of features, including the musical accompaniment, with the theme songs to the films having picked up Academy Award nominations on several occasions. Other important elements which run through most of the films include Bond's cars, his guns and the gadgets he is supplied with by Q Branch.

Creation and inspiration
As the central figure for his works, Ian Fleming created the fictional character of James Bond, an intelligence officer in the Secret Intelligence Service, commonly known as MI6. Bond was also known by his code number, 007, and was a Royal Naval Reserve Commander.

Name
Fleming took the name for his character from that of the American ornithologist James Bond, a Caribbean bird expert and author of the definitive field guide Birds of the West Indies; Fleming, a keen birdwatcher himself, had a copy of Bond's guide and he later explained to the ornithologist’s wife that "It struck me that this brief, unromantic, Anglo-Saxon and yet very masculine name was just what I needed, and so a second James Bond was born". He further explained that:

When I wrote the first one in 1953, I wanted Bond to be an extremely dull, uninteresting man to whom things happened; I wanted him to be a blunt instrument...when I was casting around for a name for my protagonist I thought by God, (James Bond) is the dullest name I ever heard.
—Ian Fleming, The New Yorker, 21 April 1962

On another occasion Fleming said: "I wanted the simplest, dullest, plainest-sounding name I could find, "James Bond" was much better than something more interesting, like "Peregrine Carruthers". Exotic things would happen to and around him, but he would be a neutral figure—an anonymous, blunt instrument wielded by a government department."

Inspiration
Fleming based his fictional creation on a number of individuals he came across during his time in the Naval Intelligence Division during World War II, admitting that Bond "was a compound of all the secret agents and commando types I met during the war". Amongst those types were his brother, Peter, who had been involved in behind the lines operations in Norway and Greece during the war. Aside from Fleming's brother, a number of others also provided some aspects of Bond's make up, including Conrad O'Brien-ffrench, Patrick Dalzel-Job and Bill "Biffy" Dunderdale.
Hoagy Carmichael—Fleming's view of James Bond.

Tastes
Fleming also endowed Bond with many of his own traits, including sharing the same golf handicap, the taste for scrambled eggs and using the same brand of toiletries. Bond's tastes are also often taken from Fleming’s own as was his behaviour, with Bond's love of golf and gambling mirroring Fleming's own. Fleming used his experiences of his espionage career and all other aspects of his life as inspiration when writing, including using names of school friends, acquaintances, relatives and lovers throughout his books.

Looks
Fleming decided Bond should look a little like both the American singer Hoagy Carmichael and himself and in Casino Royale, Vesper Lynd remarks, "Bond reminds me rather of Hoagy Carmichael, but there is something cold and ruthless." Likewise, in Moonraker, Special Branch Officer Gala Brand thinks that Bond is "certainly good-looking… Rather like Hoagy Carmichael in a way. That black hair falling down over the right eyebrow. Much the same bones. But there was something a bit cruel in the mouth, and the eyes were cold."

Background
It was not until the penultimate novel, You Only Live Twice, that Fleming gave Bond a sense of family background. The book was the first to be written after the release of Dr. No in cinemas and Sean Connery's depiction of Bond affected Fleming's interpretation of the character, to give Bond both a sense of humour and Scottish antecedents that were not present in the previous stories. In a fictional obituary, purportedly published in The Times, Bond's parents were given as Andrew Bond, from the village of Glencoe, Scotland, and Monique Delacroix, from Yverdon, Switzerland. Fleming did not provide Bond's date of birth, but John Pearson's fictional biography of Bond, James Bond: The Authorised Biography of 007, gives Bond a birth date on 11 November 1920, whilst a study by John Griswold puts the date at 11 November 1921.

Comics medium
In 1957, the Daily Express approached Ian Fleming to adapt his stories into comic strips, offering him £1,500 per novel and a share of takings from syndication. After initial reluctance, Fleming, who felt the strips would lack the quality of his writing, agreed. To aid the Daily Express in illustrating Bond, Fleming commissioned an artist to create a sketch of how he believed James Bond looked. The illustrator, John McLusky, however, felt that Fleming's 007 looked too "outdated" and "pre-war" and changed Bond to give him a more masculine look. The first strip, Casino Royale was published from 7 July 1958 to 13 December 1958 and was written by Anthony Hern and illustrated by John McLusky.

Most of the Bond novels and short stories have since been adapted for illustration, as well as Kingsley Amis's Colonel Sun; the works were written by Henry Gammidge or Jim Lawrence with Yaroslav Horak replacing McClusky as artist in 1966. After the Fleming and Amis material had been adapted, original stories were produced, continuing in the Daily Express and Sunday Express until May 1977.

Several comic book adaptations of the James Bond films have been published through the years: at the time of Dr. No's release in October 1962, a comic book adaptation of the screenplay, written by Norman J. Nodel, was published in Britain as part of the Classics Illustrated anthology series. It was later reprinted in the United States by DC Comics as part of its Showcase anthology series, in January 1963. This was the first American comic book appearance of James Bond and is noteworthy for being a relatively rare example of a British comic being reprinted in a fairly high-profile American comic. It was also one of the earliest comics to be censored on racial grounds (some skin tones and dialogue were changed for the American market).

With the release of the 1981 film For Your Eyes Only, Marvel Comics published a two-issue comic book adaptation of the film. When Octopussy was released in the cinemas in 1983, Marvel published an accompanying comic; Eclipse also produced a one-off comic for Licence to Kill, although Timothy Dalton refused to allow his likeness to be used. New Bond stories were also drawn up and published from 1989 onwards through Marvel, Eclipse Comics and Dark Horse Comics.

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Friday, 3 August 2012

The Amazing Spider-Man v1 541-560

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Marvel began The Amazing Spider-Man anew with vol. 2, #1 (Jan. 1999). Howard Mackie wrote the first 29 issues. The relaunch proved controversial with the Sandman being regressed to his criminal ways and the "death" of Mary Jane, which was ultimately reversed due to fan backlash. Other elements included the introduction of a new Spider-Woman (who was spun off into her own short-lived series) and references to John Byrne's controversial "Spider-Man: Chapter One", which launched at the same time as the reboot. Mackie's run ended with The Amazing Spider-Man Annual 2001, which saw the return of Mary Jane, who then left Parker upon reuniting with him.

With #30 (June 2001), J. Michael Straczynski took over as writer. While his arrival saw the title regain lost readers, Straczynski oversaw additional controversial[citation needed] storylines — most notably his lengthy "Spider-Totem" arc, which raised the issue of whether Spider-Man's powers were magic-based, rather than as the result of a radioactive spider's bite. Additionally, Straczynski resurrected the plot point of Aunt May discovering her nephew was Spider-Man, and returned Mary Jane, with the couple reuniting in The Amazing Spider-Man #50. Straczynski also gave Spider-Man a new profession, having Parker teach at his former high school.

Issue #30 began a dual numbering system, with the original series numbering (#471) returned and placed alongside the volume-two number on the cover. Other longtime, rebooted Marvel Comics titles, including Fantastic Four, likewise were given the dual numbering around this time. In October 2000, John Romita, Jr. succeeded John Byrne as artist. After vol. 2, #58 (Nov. 2003), the title reverted completely to its original numbering for #500 (Dec. 2003).[3] Mike Deodato, Jr. penciled the book from mid-2004 until 2006.

That year Peter Parker revealed his Spider-Man identity on live television in the company-crossover storyline "Civil War", in which the superhero community is split over whether to conform to the federal government's new Superhuman Registration Act. This knowledge was erased from the world with the event of the four-part, crossover story arc, "One More Day", written partially by J. Michael Straczynski and illustrated by Joe Quesada, running through The Amazing Spider-Man #544-545 (Nov.-Dec. 2007), Friendly Neighborhood Spider-Man #24 (Nov. 2007) and The Sensational Spider-Man #41 (Dec. 2007), the final issues of those two titles. Here, the demon Mephisto makes a Faustian bargain with Parker and Mary Jane, offering to save Parker's dying Aunt May if the couple will allow their marriage to have never existed, rewriting that portion of their pasts. This story arc marked the end of Straczynski's six-and-a-half years as writer (from 2001 to 2007) on the title after 75 issues (including issues of Friendly Neighborhood Spider-Man and The Sensational Spider-Man as part of crossovers).

Following this, Marvel made The Amazing Spider-Man the company's sole Spider-Man title, increasing its frequency of publication to three issues monthly, and inaugurating the series with a sequence of "back to basics" story arcs under the banner of "Brand New Day". Parker now exists in a changed world where he and Mary Jane had never married, and Parker has no memory of being married to her, with domino effect differences in their immediate world. The most notable of these revisions to Spider-Man continuity are the return of Harry Osborn, whose death in The Spectacular Spider-Man #200 (May 1993) is erased; and the reestablishment of Spider-Man's secret identity, with no one except Mary Jane able to recall that Parker is Spider-Man (although he soon reveals his secret identity to the New Avengers and the Fantastic Four). The alternating regular writers were initially Dan Slott, Bob Gale, Marc Guggenheim, Fred Van Lente, and Zeb Wells, joined by a rotation of artists that included Chris Bachalo, Phil Jimenez, Mike McKone, John Romita, Jr. and Marcos Martín. Joe Kelly, Mark Waid and Roger Stern later joined the writing team and Barry Kitson the artist roster.

With issue #648 (January 2011), the series became a twice-monthly title with Dan Slott as sole writer. Eight additional pages were added per issue. These were initially published under the banner of "Big Time". The most recent story heading is "Ends of the Earth", which runs through June 2012.



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Thursday, 2 August 2012

The Amazing Spider-Man v1 521-540

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With a civilian life as a married man, the Spider-Man of the 1990s was different from the superhero of the previous three decades. McFarlane left the title in 1990 to write and draw a new series titled simply Spider-Man. His successor, Erik Larsen, penciled the book from early 1990 to mid-1991. After issue #350, Larsen was succeeded by Mark Bagley, who had won the 1986 Marvel Tryout Contest and was assigned a number of low-profile penciling jobs followed by a run on New Warriors in 1990. Bagley penciled the flagship Spider-Man title from 1991 to 1996, with his art forming the basis for most Spider-Man licensed merchandise of the decade and onward.

Issues #361-363 (April–June 1992) introduced Carnage, a second symbiote nemesis for Spider-Man. The series' 30th-anniversary issue, #365 (Aug. 1992), was a double-sized, hologram-cover issue with the cliffhanger ending of Peter Parker's parents, long thought dead, reappearing alive. It would be close to two years before they were revealed to be impostors, who are killed in #388 (April 1994), scripter Michelinie's last issue. His 1987–1994 stint gave him the second-longest run as writer on the title, behind Stan Lee.

With #389, writer J. M. DeMatteis, whose Spider-Man credits included the 1987 "Kraven's Last Hunt" story arc and a 1991–1993 run on The Spectacular Spider-Man, took over the title. From October 1994 to June 1996, Amazing stopped running stories exclusive to it, and ran installments of multi-part stories that crossed over into all the Spider-Man books. One of the few self-contained stories during this period was in #400 (April 1995), which featured the death of Aunt May — later revealed to have been faked (although the death still stands in the MC2 continuity). The "Clone Saga" culminated with the revelation that the Spider-Man who had appeared in the previous 20 years of comics was a clone of the real Spider-Man. This plot twist was massively unpopular with many readers,[citation needed] and was later reversed in the "Revelations" story arc that crossed over the Spider-Man books in late 1996.

The Clone Saga tied into a publishing gap after #406 (Oct. 1995), when the title was temporarily replaced by The Amazing Scarlet Spider #1-2 (Nov.-Dec. 1995), featuring Ben Reilly. The series picked up again with #407 (Jan. 1996), with Tom DeFalco returning as writer. Bagley completed his 5½-year run by September 1996. A succession of artists, including Ron Garney, Steve Skroce, Joe Bennett, and Rafael Kayanan, penciled the book until the final issue, #441 (Nov. 1998), after which Marvel rebooted the title with vol. 2, #1 (Jan. 1999).



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The Amazing Spider-Man v1 501-520

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David Michelinie took over as writer in the next issue, for a story arc in #290-292 (July-Sept. 1987) that led to the marriage of Peter Parker and Mary Jane Watson in Amazing Spider-Man Annual #21. Issue #298 (March 1988) was the first Spider-Man comic to be drawn by future industry star Todd McFarlane, the first regular artist on The Amazing Spider-Man since Frenz's departure. McFarlane revolutionized Spider-Man's look. His depiction – large-eyed, with wiry, contorted limbs, and messy, knotted, convoluted webbing – influenced the way virtually all subsequent artists would draw the character. McFarlane's other significant contribution to the Spider-Man canon was the design for what would become one of Spider-Man's most wildly popular antagonists, the supervillain Venom. Issue #299 (April 1988) featured Venom's first appearance (a last-page cameo) before his first full appearance in #300 (May 1988). The latter issue also featured Spider-Man reverting to his original red-and-blue costume.

Other notable issues of the Michelinie-McFarlane era include #312 (Feb. 1989), featuring the Green Goblin vs. the Hobgoblin; and #315-317 (May–July 1989), with the return of Venom. After the editorial and creative turmoil that beset The Amazing Spider-Man in 1987, the Michelinie/McFarlane team at the tail-end of the 1980s restored a sense of creative consistency and quality to the book, and set the tone for Spider-Man for the next decade.



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Download The Amazing Spider-Man v1 501-520